掌握慢节奏
MASTERING SLOWNESS
赛博空间主义
CYBER-SPATIALISM
WORKSHOP WITH
SALMA KHALED AND DARIUS GONDOR
An example of the Ponzo illusion. Both of the horizontal yellow lines are the same length. The Ponzo illusion is a geometrical-optical illusion that was first demonstrated by the Italian psychologist Mario Ponzo (1882–1960) in 1911.
The Ebbinghaus illusion or Titchener circles is an optical illusion of relative size perception. Named for its discoverer, the German psychologist Hermann Ebbinghaus (1850-1909). The two orange circles are exactly the same size; however, the one on the right appears larger.
“视觉艺术主要通过眼睛发生”。
«Visual art takes place primarily via the eye». This is a key sentence in a text written in 1975 by Ludwig Wilding, who claimed his work was not Op-Art. The artist forces us to reflect on this term since every creative act which is perceived with the eye is «optical» art. He liked to use the term «irritating art» because in his work he investigated the limits of visual perception. His works question the perceptual habits of the viewer and the interaction between the eye and brain. He was also interested in the interaction with the viewer: it is namely the viewer’s location or movement in space which transforms a flat object into a three-dimensional viewing experience.
Ludwig Wilding is one of the leading personalities of this art form, which, despite the artist’s claims, has established itself in the international art scene as «Op-Art».
2 向路德维希·怀尔丁(Ludwig Wilding)致敬 “恼人的艺术”（“IRRITATING ART”）
路德维希·怀尔丁1927年出生在格伦施塔特(普法尔茨)，2010年死于吕内堡希思的布赫霍尔兹。
“视觉艺术主要通过眼睛发生”。这是路德维希·怀尔丁1975年写的一篇文章中的关键一句话，他声称自己的作品不是“光效应艺术”（Op-Art）。艺术家迫使我们反思这个术语，因为在此之前每一个用眼睛感知的创造性行为都是“光效应艺术”（Op-Art）。他喜欢使用“恼人的艺术”（irritating art）这个术语，因为在他的作品中，他研究了视觉感知的局限。他的作品质疑观者的感知习惯和眼睛与大脑的互动。他也对与观者的互动感兴趣:即观者的位置在空间中运动，由此把一个平面物体变为3维物体的这样一种视觉体验。
路德维希·怀尔丁是这种艺术形式的先驱者之一，尽管这种艺术形式已经在国际上以“欧普艺术”(“Op -Art”)确立了自己的身份。
2. Homage to Ludwig Wilding «irritating art»
Ludwig Wilding was born in Grünstadt (Palatinate) in 1927 and died in Buchholz in the Lüneburg Heath in 2010.
«Visual art takes place primarily via the eye». This is a key sentence in a text written in 1975 by Ludwig Wilding, who claimed his work was not Op-Art. The artist forces us to reflect on this term since every creative act which is perceived with the eye is «optical» art. He liked to use the term «irritating art» because in his work he investigated the limits of visual perception. His works question the perceptual habits of the viewer and the interaction between the eye and brain. He was also interested in the interaction with the viewer: it is namely the viewer’s location or movement in space which transforms a flat object into a three-dimensional viewing experience.
Ludwig Wilding is one of the leading personalities of this art form, which, despite the artist’s claims, has established itself in the international art scene as «Op-Art».
3 介绍
当你的眼睛慢下来观察时会发生什么？
知觉的减速，而音乐作为减速的一种手段。通过放慢感知，焦点会增加，从而促进生产。你最终的作品将是一段剪辑视频，把你个人所有单个视频剪辑到一起。你们可以组队，最多两个人。每一次课程中我们将放一个小片段，给你们介绍一个新的感知的角度。
我们使用的这种技术一般被用来传达复杂性。它不是一个简单的知觉活动，通过放慢让你来理解细节。如果你分析的信息你的眼睛所察觉的时间越长，在头脑中你理解的这个对象就会越好。而且你会找到一个在物体之间的新的联系。当你花费越长的时间去思考你看到了什么，你就会创造一种视觉动机，它不是一种结果而是一个过程，关于你个人的感知，分析，观察的过程，而这种过程会导致不同的结果。伴随着快速的结果，空的，重复性的，普通的结果的出现，而这种结果咋一看不是我们人类对社会的一种新贡献。每个个体他的观察和视角都是不一样的，也因此而独特。因此这种复杂性使其变得更有深度，而模糊的视觉确成为了一种优势。为什么？科技的发展速度呈指级增长，而现在我唯一的角色不是去追上机器的速度，而是慢下来去理解世界。一个（机器）专注于信息的数量，而另一边（人类）专注于思考的游戏。这意味着我们的时间花在了致力于信息上。质量代替数量，慢代替快，少代替多，本质代替繁杂。我们的角色是把加密和解密作为一个设计任务，一种视觉游戏。琐碎是数字工具的关键。处理信息的关键是传达信息。一个有着高度复杂性的品牌远比一个只包含普通视觉信息（字体，颜色，图片等等）的品牌有意思。它像一首诗，通常在第一眼看到时总是很难理解。同样，爱情也是复杂和不容易的。
你将在课上构想一系列的任务，通过这些任务实验和质疑自我的意义，空间的意义以及视错觉技术的不同效果。我们将穿过艺术设计与科技最高光的时期，聚焦于视错觉技术发展的时期，带领我们来到数字时代，在这里你们将运用不同的工具产出多样的数字成果。例如，我们将通过APP去进行的光学错觉伪装练习。
目标是理解和掌握设计过程的重要性和设计思维工具的应用，以便掌握未来一代的创新和沟通工具。
3. Intro
What happens when our eyes slow down and observe?
Slowdown in perception and a connection to music as a tool. Examining options within the tool. Your final project will be individual videos coming together as one video clip. You may work in groups of 2 max. A video will be presented to invite you to each of the workshops. Introducing to you a new angle of perception.
The technology we use is used to convey complexity. It is not a simplification of perception, by slowing down you understand the details, if you analyze the information your eyes percieve longer in your head you understand individual objects better and also find new connections between the objects, the longer you take time to think about what you see, you create a kind of visual motivation, it is not about the result but about the process of the individual perceptions and analyzes, observations, which may ultimately lead to different results. With quick results, empty or more repetitive and ordinary results arise, what our human eye perceives at first glance is not a new contribution to our society. Every single person and their perception and perspective is different and therefore unique. Therefore the complexity enables more depth, not the clarity of the visual explicit is the advantage. Why? The speed of technology is growing exponentially. The only role as humans we have now is not to assume the speed of the machine, but to use the slowness or deceleration to understand the world. One is dedicated to the quantity of information and the other is dedicated to the game of thoughts. That means time is devoted to information. Quality instead of quantity. Instead of fast, slow. Instead of a lot, less. Instead of mass, essence. Our role is encryption and decryption as a design task. A visual game. Triviality as the key to digital tools. Dealing with information is the key to conveying information. A brand with a high level of complexity is more interesting than a brand that deals with common visual issues such as typo, color, photo, etc. It is like poetry, which is usually difficult to understand at first glance. Love is complex and not easy.
You are invited to conceive a series of tasks through which you will be experimenting with and questioning the meaning of the self, the meaning of space and the different effects of optical illusion techniques. We go through the highlight periods of art + design & technology, with focus on the evolution of optical illusion technique periods leading up to our digital age where you will be using several applications to exercise diverse virtual outcomes. For example an optical illusion camouflage exercise via AI exploring and applying the deception of the century.
The goal is understanding and mastering the importance of design processes and the application of design thinking tools in order to master the generation of future innovation and communication tools.
WE ARE BASED IN BERLIN /
SHANGHAI
– SPECIALIZING IN BRAND STRATEGY, ART DIRECTION, DESIGN AND PRODUCTION ACROSS ALL PLATFORMS.
FOR INQUIRES DO NOT HESITATE TO CONTACT US AT SALMA AT GONDOR.DE OR DARIUS AT GONDOR.DE
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➸ darius at gondor.de
WE ARE BASED IN BERLIN /
SHANGHAI
– SPECIALIZING IN BRAND STRATEGY, ART DIRECTION, DESIGN AND PRODUCTION ACROSS ALL PLATFORMS.
FOR INQUIRES DO NOT HESITATE TO CONTACT US AT SALMA AT GONDOR.DE OR DARIUS AT GONDOR.DE